Warsaw-based producer and DJ duo Ewerseen have developed an emotive, cinematic take on melodic house. Blending evolving harmonies, driving rhythms, and airy vocal textures, their productions move between warm sunrise atmospheres and more energetic club settings while maintaining a clear focus on groove and emotional depth.
Photo credit: Ewerseen – Beatport
Following their contribution to the EG Podcast series and the release of ‘Tomorrow Never Happens’, Ewerseen join EG to discuss the evolution of their sound, their first performance at Hï Ibiza, and the role of visual storytelling within the project. The pair also reflect on working as a duo, upcoming collaborations with Shimza, Dyzen, and Sommers, and the ideas shaping their next chapter.
EG: Hi, Ewerseen. Welcome to Electronic Groove. It’s a pleasure to have you with us. Congratulations on both your contribution to the EG Podcast series and the release of ‘Tomorrow Never Happens’. How have things been for you lately?
Ewerseen: Hi, guys. It’s truly a pleasure for us to be a part of your story! Thank you so much! It’s been a long year for us, with a lot of thoughts and changes. We had a chance to perform at some amazing venues, release and collaborate with talented artists, and meet people who inspire us every day. During the last few months, we have been focusing more on our own vision of the project and clearly understanding what we want and what we are aiming for. So, we can say for sure that something has been happening lately, and we are more than thrilled to show this to people.
EG: Your EG Podcast mix feels like a reflection of where Ewerseen stands today, balancing melodic warmth, club energy, and a number of your own productions. What was your mindset when putting this session together?
Ewerseen: We wanted to combine something Ewerseen is known for with something fresh and unique. The tracks were selected carefully to guide the listener through the whole mix in one go, starting with a lower BPM and something uplifting to involve the listener, then slowly raising the energy and bringing heavier tunes into the mix. We never set frames for creativity and self-expression, so we decided to focus on how to combine different sounds in one mix and keep the listener engaged until the very end. Additionally, this mix turned out to be a great journey where we were able to show how our music and vision have changed.
EG: You’ve mentioned that Ewerseen is currently moving in a slightly different sonic direction while preserving the project’s core identity. What inspired that shift, and how would you describe this new chapter?
Ewerseen: Yes, it’s true. There is a significant ‘Ewerseen sound’, whatever that means. This could be described by the following releases: ‘Soft’, ‘Too Young’, ‘Keep Trying’, ‘Tomorrow Never Happens’, etc. They have something in common that made people create such a definition as the ‘Ewerseen sound’. And we absolutely love it. However, as we mentioned before, we could never see ourselves inside frames where we could not create anything else or develop our identity and sound in the way we feel at any specific moment. What we realized was that we are free to create everything we want, and the project’s identity core will stay but simply be adjusted. We met wonderful people who showed us that music and creativity have no boundaries, and this became our major inspiration. There’s no description for this new chapter; we just do what we truly love.
“There’s no description for this new chapter, we just do what we truly love”
EG: One of the highlights of this year was your first performance at Hï Ibiza. What was that experience like, and did it live up to the expectations that come with playing one of the world’s most iconic electronic music venues?
Ewerseen: This moment was so mind-blowing for us. It’s another level for sure. The opportunity to share the stage with some of the biggest names was something we couldn’t even imagine a year ago. It also gave us confidence that we’re moving in the right direction. Thanks to Andrea Oliva and All I Need, this dream came true, and we had a chance to perform at one of the best clubs in the world. We enjoyed playing there and being a part of this massive energy. We hope to be back soon.
EG: Beyond the music itself, you’ve been investing heavily in visual storytelling and content creation. How important is the visual side of the project when building a recognizable identity in today’s electronic music landscape?
Ewerseen: Visual identity comes together with music. In the industry, both are very important. A recognizable visual identity builds brands. It also helps to build the story around each release and the artist. Therefore, we recently started to focus more on our visual self-representation. We find it inspiring and interesting to work and collaborate with editors, videographers, and other creative people. Together, we are trying to form a concept that will let us stay ourselves, express our feelings and thoughts better through social media, and create a stronger relationship with every single follower. This approach also allows us to describe each release not only with melodies, rhythms, or words, but through the picture and through the vibe on the screen.
EG: You recently started working with editors to develop a more cohesive visual language around your releases. What kind of story are you hoping fans connect with when they engage with Ewerseen beyond the music?
Ewerseen: Our story. Whether we release a club tune with harder grooves or a radio vocal track, we want people to feel all the moments properly. Music itself tells the story, but visual support helps to absorb everything even better. It’s sometimes interesting to realize that artists create their tracks while being inspired by absolutely different moments in their lives. So, as we’ve mentioned, both music and visuals matter in sharing whatever is important to us.
EG: As a duo, you’re constantly balancing studio work, touring, content creation, and the day-to-day realities of running an artist project. How do you stay organized and productive while juggling so many moving parts?
Ewerseen: Honestly, it is sometimes complicated for us to organize our workload properly. But we have found a perfect formula that fits us best. Studio work takes most of the time, of course, so we decided to use all the benefits of being a duo. There are days when we are stuck in a studio together; however, there are also days when one of us is more concentrated on studio work and the second member takes over all the administrative work. The convenient part is that we know our show dates and shooting dates in advance, so we use this knowledge to plan everything ahead. To sum this up, we are not the best example of time management, but we are for sure trying to organize everything as best we can.
EG: You have several exciting collaborations on the horizon, including projects with Shimza, Dyzen, and Sommers. What can you tell us about those upcoming releases, and what have you enjoyed most about working with those artists?
Ewerseen: Working with all of them was such a great experience and a point of growth for us. Everyone is very unique, with their own skills and approach, and this is the best part of collaborations. The chance to observe and learn, show your own ability, and share it with these talents is a useful and productive process indeed, which led to our upcoming releases. ‘Wait’ with Shimza and David Mackay is a remix of the legendary M83 song ‘Wait’. We made this one a year ago, and it is still one of our unreleased weapons, since the clearance process takes a long time sometimes. We can’t say a lot here, but we are on the right path, so hopefully it’s going to be out sometime soon. ‘On My Own’ with Dyzen was like a new lease for us. We did really great work together with Francesco, and we are more than happy about it. And last but not least, ‘Hush’ with Sommers from the UK. This track is certainly a new sound for both the brothers and us. They sent us the idea, we fell in love immediately, and finished the project pretty fast. Besides the above-mentioned releases, there are a lot of other tracks that we are looking forward to releasing!
EG: Looking back, what have been the biggest lessons you’ve learned from the growth of the project over the last few years?
Ewerseen: There were a lot of useful lessons we learned during the last year. And, of course, we are still learning; this is part of the process. One of the main conclusions is not to put ourselves into frames and to stay creative in our own way. The second one is not to wait for a miracle to happen. Just don’t stop trying, and even if the result doesn’t match your expectations, it’s still just a small step in the whole picture. Keep going, keep doing, keep pushing.
“Music itself tells the story but visual support helps to absorb everything even better”
EG: Finally, with new music, major collaborations, and an evolving artistic vision all taking shape, what does the future look like for Ewerseen over the next year or two?
Ewerseen: We believe that the future is bright. We’d love to connect more with audiences, both online and offline, at some really cool venues all around the globe. We would also love to meet and work with more artists who inspire us a lot. So many wonderful things may happen in the future that we don’t even suspect. We ourselves are very excited and curious to see what will happen next.
EG: Thank you so much for your time. We wish you all the best with ‘Tomorrow Never Happens’, your upcoming releases, and everything ahead. Take care!
Ewerseen: Thank you very much!
Ewerseen’s ‘Tomorrow Never Happens’ is available now via MAJA Records. Stream and download your copy here.
Follow Ewerseen: Instagram | SoundCloud | Spotify
