At the intersection of two global music capitals, ary:eh emerges as one of electronic music’s most compelling new voices, blending Brooklyn’s underground energy with hip-hop foundations and Latin rhythms.
Photo credit: Jade Madoe / Nele Bogaerts / Justine Robineau
Based in Paris and New York City, the producer and DJ has quickly made waves in the industry, earning support from influential figures like Seth Troxler and establishing his own label, ary:eh’s vault.
Building on the success of tracks like ‘Pasito’ and ‘El Cielo,’ ary:eh has now released ‘BOM DIA,’ a collaboration with Brazilian funk artist MC Jajau.
Known for bridging underground and mainstream electronic music, with performances spanning multiple continents, ary:eh sits down with EG to discuss his journey, creative process, and vision for the future.
EG: Hi, ary:eh! Welcome to EG. It’s a pleasure to have you here with us. How have you been? Where are you right now? How did you kickstart the year?
ary:eh: Hey, thanks for having me! I’ve been really busy, not just with gigs and studio time, but also with everything else that comes with being an artist today, content creation, branding, running a label.
Being a DJ and music producer in 2025 is more than just playing music; it’s like running a full-scale business. You have to handle so many aspects at once, from music production to marketing, networking, and staying connected with your audience. On top of that, I just launched my own label, ary:eh’s vault which is a big milestone for me. I started the year locked in, making sure everything was in place for my upcoming releases, especially ‘BOM DIA.’
EG: First of all, congratulations on the incoming release of your latest single, ‘BOM DIA’! You must be stoked to have this one out. What has the initial reception been like? Do you remember the first time you played this one live?
ary:eh: Thank you! Yeah, I’m really hyped for this release. The first time I played ‘BOM DIA’ was in Lisbon, Portugal, at Deep House Bible’s event at Praia de Caparica in September 2024. The reaction was unreal. Having Portuguese lyrics in the track made the local crowd go absolutely crazy, but what really surprised me was how international the reaction was. It wasn’t just the Portuguese crowd, it was everyone, no matter where they were from.
And then, after that night, something clicked. All my friends kept singing ‘Bom Dia’ over and over, like it had already gotten stuck in their heads. That’s when I realized this track wasn’t just another club banger, it had something more, something infectious. That moment made me see its potential in a whole new way.
EG: Now, ‘BOM DIA’ sees you linking up with Brazilian funk artist MC Jajau. What was the collaborative process like? How did you guys connect? Did you have a clear horizon in mind?
ary:eh: Honestly, one of the things I love about the world we live in today is how easily we can connect with artists across the globe. Social media and digital platforms have completely changed the game, you don’t need to go through layers of industry middlemen to make things happen. If you have a vision and the right energy, you’re just one step away from collaborating with someone you admire.
For ‘BOM DIA,’ it all started in late August 2024 when I was in Ibiza. I was in the studio with some friends, including one of my close friends from Brazil, who was playing me different funk tracks. I got hooked and spent hours digging through various MCs, trying to find the right voice for what I had in mind. That’s when I came across MC Jajau. His energy, his flow, it was exactly what I was looking for.
That night, I stayed in the studio until the early morning, completely locked in. By the time I finished the rough version, the sun was rising over Ibiza, the kind of sunrise that feels unreal, like it has its own rhythm. I went back home, but I couldn’t sleep. I kept listening to the track on loop, watching the sunlight hit the water, and I just knew, there was something special about this one. It had that magic, that rawness that makes a track stand out.
I hit up MC Jajau, shared my vision, and everything fell into place from there. That moment in Ibiza, combined with the energy he brought to the track, made ‘BOM DIA’ what it is.
EG: And what’s ‘BOM DIA’ all about? What can your fans expect to find on this cut?
ary:eh: ‘BOM DIA’ is all about energy, rhythm, and controlled chaos. It blends deep, infectious basslines with percussive Brazilian funk influences, creating something hypnotic yet explosive. It’s designed for the dancefloor, but it has a raw, organic feel, minimal in structure but heavy in impact. It’s the kind of track that sneaks up on you and suddenly takes over the room.
But more than that, ‘BOM DIA’ is also an anthem. It sticks in your head, whether you want it to or not. The phrase “Bom Dia” means “Good Morning” in Portuguese, and that’s where the track finds its deeper connection to house music culture. In this scene, nights don’t just end when the club closes, sometimes they flow into the sunrise, into that magical moment where the energy shifts and a new day begins. ‘BOM DIA’ captures that feeling, that transition from the depths of the night into the first light of the morning, where people are still dancing, still lost in the music, and suddenly, the only thing left to say is… “Bom Dia.”
“One of the things I love about the world we live in today is how easily we can connect with artists across the globe”
EG: What advice can you give to other artists looking to collaborate? What is a ‘successful’ collaboration?
ary:eh: A successful collaboration isn’t just about putting two names together, it’s about a natural creative exchange. Both artists need to bring their own identity to the table while allowing space for the other person’s vision. It’s also important to have a real connection, because when the vibe is right, the music just flows. I’d say, don’t force collaborations for the sake of hype, find people who inspire you and challenge you creatively.
EG: Now, let’s go back to your origins… what were your first interactions with electronic dance music like? What was it that drove you to music production and DJing?
ary:eh: Music has always been a huge part of my life, deeply rooted in my upbringing. My parents and family had a strong influence on my taste, exposing me to music from all genres and cultures. As I grew older I developed my own preferences, discovering hip-hop and EDM, and became increasingly drawn to DJ culture. That passion led me to start saving up for my first vinyl DJ setup. Once I got it, I began experimenting, mostly with records from my grandmother’s house. It didn’t take long to realize her collection wasn’t ideal for mixing, so I started digging deeper to find my own sound. At first, I wasn’t sure whether I wanted to mix hip-hop or house, but I kept exploring.
Everything shifted in my early teens when my older cousin returned from Berlin and introduced me to artists like Richie Hawtin, Loco Dice, and Lee Burridge. That opened the door to a whole new world, helping me refine my record collection and shaping the sound I was drawn to.
Two moments, in particular, completely changed the way I perceived electronic music: listening to Loco Dice’s album, ‘7 Dunham Place,’ as well as Richie Hawtin & Marco Carola’s 2009 closing set at Amnesia. I was so captivated by both of these that I immersed myself in the culture, eager to learn everything I could.
Concerning music production, I downloaded Ableton early on but rarely touched it, though I took a few classes that helped me grasp the basics, finishing a track still felt overwhelming. I’d open it, get frustrated, and close it again. But over time, I began experimenting more, getting lost in the process while spending hours immersed in music every day, and eventually, it clicked. That’s when the real adventure began.
EG: That’s an incredible journey. When did you decide to take things to a professional level?
ary:eh: It was in the summer of 2023, and it happened almost by accident. On a whim, I decided to switch my Instagram to public and started posting my first finished track, ‘Pasito.’ I wasn’t expecting much, but I kept sharing more remixes throughout the summer on Soundcloud and social media, and to my surprise, it started catching people’s attention.
Later that summer, Sash, my friend from New York who also sings, came to Ibiza for a few days. We ended up creating ‘El Cielo,’ which became my first official release in early September. A few months later, I started noticing real traction, I could feel something was happening. Then, things took a major turn when Seth Troxler and other key artists started heavily supporting my music. That gave me the push to take things seriously and fully commit.
EG: And how did growing up in New York and Paris influence the way you perceive music? Can you ‘feel’ those cities in your music?
ary:eh: Definitely. New York shaped my raw, underground energy, while Paris refined my sound and attention to detail. Both cities influenced me in different ways, New York’s club scene and relentless energy gave my music that deep, rolling groove, while Paris added a sense of precision and finesse. The club culture, the hype, and the diverse musical influences from these two cities all played a role in shaping my sound today.
“The DJs who make an impact are the ones who stay consistent, push boundaries, and create something timeless”
EG: On to the state of the scene… Some people say the market is oversaturated and that being a DJ has become a trend. What’s your take on this?
ary:eh: It’s true that the industry is more crowded than ever, but I don’t see that as a bad thing, it just means you have to work harder and be smarter. As I mentioned earlier, being a DJ today requires a multi-faceted approach. It’s about understanding the business, the branding, the marketing, and the connections. But it’s even more than that because there’s also the artistic side, you need to be constantly evolving, staying true to your sound while adapting to the industry.
DJing has definitely become trendy, but the ones who truly last are the ones who bring something unique to the table. They understand the art, the craft, and the bigger picture of the industry. It’s not just about playing tracks; it’s about building a sound, a movement, and a connection with people that goes beyond the music itself. The DJs who make an impact are the ones who stay consistent, push boundaries, and create something timeless.
EG: Finally, what’s next for ary:eh? What new milestones are you looking forward to in 2025? Where can your fans catch you next?
ary:eh: ‘BOM DIA’ is just the beginning, literally. Since “Bom Dia” means “Good Morning,” it feels like the perfect way to kick off the year with the right energy. It’s more than just a track, it’s a statement. It’s the start of something big.
2025 is shaping up to be a huge year. I’m working on a US and South American tour, which makes complete sense since I’ve been collaborating with artists from both regions. I want to be there, in the middle of it, connecting with the people who are supporting my music and creating new experiences together. It’s one thing to exchange ideas online, but actually being in the same room, sharing that energy, that’s where the magic happens.
At the same time, ary:eh’s vault is full of surprises. I’ve got a solid lineup of collabs, remixes, and solo projects ready to go. This year is about putting out more music, collaborating with more artists, and pushing boundaries even further. House music has always lived between the underground and the mainstream, and I want to bridge that gap, bringing fresh, forward-thinking sounds to a wider audience while keeping the raw energy that makes it special.
Just like those artists helped shape my journey, I want my music to inspire the next waves, to keep the culture alive, evolve the sound, and make a lasting impact.
EG: Thank you so much for your time, ary:eh! We wish you all the best for the future. Take care!
ary:eh: Appreciate it, thank you! See you on the dancefloor.
ary:eh’s ‘BOM DIA’ is now available on ary:eh’s vault. Stream and download here.
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