Fejká, the electronic music artist from Germany’s Black Forest, has carved a distinct path in the industry since Christian Löffler discovered him at 16. With over 100 million streams and 1 million monthly listeners, Fejká’s journey from teenage talent to globally recognized artist is remarkable.
Photo credit: Helena Majeswka
His atmospheric sound—a blend of deep house, ambient, and techno—has topped Apple Music’s electronic playlist and captivated audiences in over 30 cities on tour.
Fejká is a multifaceted artist who transforms his compositions into immersive live experiences. His creativity extends to filmmaking, directing his own music videos and creating artwork, adding visual dimensions to his sonic landscapes. Collaborations with industry mainstays like Löffler, Hania Rani, and Jan Blomqvist have further cemented his position.
In an exciting new chapter, Fejká has launched his own label, Coexist, with the release of ‘Maara.’ This move signifies not just a musical evolution but a broader artistic vision, beautifully captured in a self-directed live performance video set against the cliffs of Gran Canaria.
As Fejká embarks on this new journey, melding his melodic and atmospheric style with deep house, ambient techno, and organic elements, EG sat down with the artist to explore his recent release, future projects, and the philosophy behind his sound.
EG: Hi Brian, it’s a pleasure to chat with you today. Where are you right now?
Fejká: Thanks! I’m well, sitting on my couch at home in Stuttgart with a tea.
EG: Congratulations on the release of ‘Maara’ and the launch of your new label, Coexist! How does it feel to embark on this new chapter in your musical journey?
Fejká: It was overwhelming at first to take such a big step in my career. It’s a lot of work, but it’s worth it. I learned a lot during my nine years with Christian Löffler’s Ki Records, so I had already built up some experience before deciding to move forward. However, we live in a time when things change very quickly. Managing full responsibility for a label, employing people, etc. are challenges I had to learn to navigate gradually. All in all, this nervousness goes hand in hand with a huge feeling of motivation and adventure. Exciting times lie ahead, and I’m fortunate to have good friends and partners running the label with me. It already feels like a big family, even before the first release!
EG: ‘Maara’ beautifully blends deep house, ambient techno, and organic elements. Can you share the inspiration behind the track and how it represents the essence of Coexist?
Fejká: The concept of my label Coexist lies in the exploration of dualities. In recent years, I’ve often found myself drawn to warm, calm, and sunny soundscapes, as well as punchy, hypnotic, and cold/melancholic club music. Both are connected by a melodic core and rich atmospheric elements. With the label, I aim to explore these contrasting polarities but also the common ground between both. ‘Maara’ represents the warmer side of the label’s vision, but also refers to the contrasts within the nature of Gran Canaria: harsh cliffs & ethereal sunsets.
EG: The live performance video for ‘Maara’ is stunning. What was it like filming on the cliffs of Gran Canaria, and how did the location influence the music and visuals?
Fejká: As I was deciding which song to film there, I realized how ethereal and atmospheric the break section of ‘Maara’ is. Looking down at the cliffs, seeing the beaches, mountains, and sunset—it all created a beautiful connection to the organic and ethereal essence of the song. From that moment, I knew I wanted to film a video there. Together with filmmaker Matthias Landenberger and the help of other close friends, we finally made it happen!
“I realized that another side of me—deeply rooted in club music—had been missing, like a second half of my personality”
EG: After your second album ‘Hiræth,’ you took a break from touring to focus on creativity. How did your time on Gran Canaria shape your sound and approach to music-making?
Fejká: To be honest, it wasn’t easy for me to continue making music after my last album. I underestimated the effort and planning required to play 30 album shows in just two months—I was actually very close to a mental breakdown. On top of that, I was facing an identity crisis. My last album had a very chill vibe, influenced by nostalgia, lockdown, and introspection. But when festivals and clubs reopened after the pandemic, I realized that another side of me—deeply rooted in club music—had been missing, like a second half of my personality. Creating a label centered on dualities, like Coexist, started to feel more and more natural to me.
EG: You describe Coexist as capturing the infinite duality within your music—serene by day, dynamic by night. How do you balance these contrasting elements in your compositions?
Fejká: The soul of my music lies in its vibe, atmosphere, melody, and harmony. The body and dynamic elements come from the drums, bass, and transients. There’s a sweet spot between the two: if I enjoy listening to my song both on a couch and in a club, I know I’ve achieved it. However, this balance can also emerge in a live set, not just in the track itself.
In a typical Fejká live set, I often start my show with softer, warmer songs. Once the crowd begins to vibe with it, I gradually increase the dynamics with clubbier and harsher sounds. For my sunrise show at Fusion Festival this year, I actually reversed this progress, referring to the natural progress of the light.
EG: As a filmmaker who directs your own music videos and artwork, how does visual art complement your music? Do the visuals influence the sound, or vice versa?
Fejká: It’s definitely vice versa at times, but for me, it often starts with the music. A specific idea of a dreamy situation, place, or feeling is often the spark that sets everything in motion. Sometimes, you see an inspiring picture and immediately know how you’d compose a soundtrack for it. Other times, you hear a song and instinctively associate it with a specific color, vibe, or atmosphere.
EG: You’ve amassed over 100 million streams and have a global following. How do you stay connected with your fans worldwide, and what does their support mean to you?
Fejká: Connecting with such a large audience is not easy, especially since many listeners discover my music through massive chill playlists and often listen to the songs passively in the background. On the other hand, playing more concert shows, talking to fans, and reading their comments and messages has shown me that those who actively follow me do so with passionate hearts—and that means a lot to me.
To reward these super fans, I’ve started creating email newsletters and an Instagram broadcast channel where I share exclusive content, music, and more. Recently, I shared a secret alternative version of my track ‘No Goodbye’ with Hania Rani, and it feels great to give something back to those who offer me their unwavering support.
“Reflect on what makes you unique, shape a clear vision, and gather all the resources and people who can support that vision”
EG: Collaborations with artists like Christian Löffler and Hania Rani have marked your career. How have these partnerships influenced your music, and are there any future collaborations we can look forward to?
Fejká: It’s always an honor to work with someone who has mastered their musical vision and career. The best artists create not only good music but a whole universe around them, which can be very inspiring. It’s like watching a good fantasy movie and realizing that you’ve only seen 1% of the total world after the end, and there is so much to explore. Working in these partnerships is like offering a little inspirational insight to someone and receiving the same; working with Christian and Hania was a great exchange! I have plenty of very interesting collaborations upcoming, but I don’t want to reveal anything yet. One thing I can already say is that I’ve experimented with male singers for the first time too.
EG: Technology is rapidly changing the music industry. How do you see advancements in tech shaping the future of electronic music and live performances?
Fejká: That’s a tough question. The dynamic of rising and falling within the scene is becoming more intense. The sheer volume of music and media is increasing rapidly, and many artists, including myself, find themselves questioning how to stand out. I believe live performances and electronic music shows will benefit from technological progress. However, I also worry that artists may lose touch with the deeper reasons they started making music in the first place, as they become overly focused on marketing, social media, and the fear of fading into obscurity. There will always be great music, but it’s becoming increasingly difficult for individual artists to stand out. Those who gained popularity before technology took over at such a rapid pace will likely enjoy an evergreen, almost legendary status—something that newer stars in today’s fast-moving industry may struggle to achieve.
EG: Lastly, what advice would you give to aspiring artists looking to carve out their own unique space in the music world, and what do you hope listeners take away from your work?
Fejká: First, just enjoy what you’re doing and try not to overthink it too much. Push yourself to take that first step, start releasing music, and learn from each release to understand where you want to go and why. Reflect on what makes you unique, shape a clear vision, and gather all the resources and people who can support that vision.
EG: Thanks for the time and all the best!
Fejká‘s ‘Maara‘ is now available on Coexist. Stream and download here.
Follow Fejká: Spotify | Soundcloud | Instagram | Youtube
