Thaddeus X has a unique sound that blends contemporary and classic styles. Drawing from his Spanish roots and influenced by the late ’90s European club scene—particularly British house and techno—Thaddeus has developed a diverse sound that transcends genres.
He is known for his recent releases, including the “Voices in My Head” EP on Minds Alike Records and the “Blue Flamingos” EP on Kyma Komplex. Thaddeus also explores other musical landscapes through his side projects, Velvet Surf and The Selenite. With an exciting year ahead, he continues to evolve his sound and push the boundaries of electronic music.
EG: Hi Thaddeus, welcome to EG! We’re excited to have you with us today. Can you tell us where you’re currently based and how your surroundings influence your music?
Thaddeus X: Thank you, the pleasure is mine. I live in the Dominican Republic, where I’m constantly connected to nature. The many hours of daylight, the pleasant weather, and the rhythm of life here create the perfect conditions for creativity. This environment gives me a lot of energy.
EG: Where does the name Thaddeus X come from?
Thaddeus X: My grandfather’s name was Juan Tadeo, and he was the first teacher in my hometown at a time when no one, not even the government, cared about that region. For 15 years, he taught for free, earning recognition for his work. One of these honors is how the people from my town identify us, his family, through his name: “He’s a Tadeo.” I am a Tadeo. I am Thaddeus X.
EG: Your latest release, the “Voices in My Head” EP, features collaborations with SIGMA. How did these collaborations come together, and what was the creative process like for this project?
Thaddeus X: It all came together during a trip to Madrid. Iván and I were working on building some tracks, and SIGMA, whom we had mutual friends with, came to the studio. Everything happened very naturally. He has fantastic magic and creativity. He started recording vocals and experimenting, and by mid-morning, we had everything recorded.
EG: You’ve just released the ‘Blue Flamingos’ EP on Kyma Komplex, an homage to mid-90s acid house. Can you talk about the inspiration behind this EP and why the mid-90s acid house sound resonated so deeply with you?
Thaddeus X: The ’90s acid house sound came to me relatively recently, and it was a revelation. It was very inspiring for me.
“As a fan of dance music, I’ve never limited myself to just one genre. I’ve enjoyed all these styles separately, and this musical variety influences me when producing and mixing”
EG: The ‘Blue Flamingos’ EP features remixes by Chico Vento & Ludmila Fuks. How did you choose these remixers, and what do you think they added to your original tracks?
Thaddeus X: The remixers were chosen by Veltran from Kyma Komplex, and I have nothing but gratitude for him.
EG: You’ve released music on labels like Minds Alike and Aletheia Recordings, showcasing a sound that crosses various electronic sub-genres. How do you approach blending influences like house, acid, and techno in your productions?
Thaddeus X: As a fan of dance music, I’ve never limited myself to just one genre. I’ve enjoyed all these styles separately, and this musical variety influences me when producing and mixing.
EG: You’ve spoken about your time in Madrid and how nights spent in iconic venues like Sala Stella helped shape your sound. How did those experiences influence your musical direction, and what do you think makes Madrid’s underground scene unique?
Thaddeus X: It was my discovery of club culture, and it was fascinating. I fell in love with electronic dance music. Both, The Room sessions with Angel García, and Mondo with Gerardo Niva had years of finely curated and cutting-edge programming. The scene, with its local DJs, drew influences from Europe and the United States, giving it great cultural richness.
EG: As a Hispanic artist, how do your cultural roots influence your music? Do you find ways to blend your heritage with the styles that have shaped your sound?
Thaddeus X: Honestly, not much. I deeply respect my cultural and artistic heritage but feel closer to the European sound.
“My work methodology is based on constant effort. Finishing one project gives me the energy to start another”
EG: You’ve mentioned Velvet Surf and The Selenite as your side projects. How do these projects allow you to explore different musical ideas, and how do they differ from what you do as Thaddeus X?
Thaddeus X: These pseudonyms allow me to explore different paths. With Velvet Surf, I can go further within club culture, much more underground. With The Selenite, I work more experimental, even venturing beyond electronic music.
EG: With 20+ tracks released in just one year, how do you stay motivated and keep your creative energy flowing? Do you ever experience a creative block, and how do you overcome it?
Thaddeus X: My work methodology is based on constant effort. Finishing one project gives me the energy to start another. Now, I’ve released 20 tracks this past year, but there are many more that I’ll soon start sending to new labels. And yes, of course, I’ve experienced creative blocks. They’re part of life. When they come, it’s best to stop and do something different. I understand them as a sign that my soul asks for a break.
EG: How’s the scene in the Dominican Republic? Are any new clubs or festivals happening?
Thaddeus X: The scene in the Dominican Republic is growing. Most offerings focus on commercial house and tech house, so people seeking electronic music tend to go to specific events rather than fixed venues. This question comes at a perfect time because, in the coming months, I’ll be opening an electronic club in Santo Domingo. The intention is to create a space for lovers of quality electronic dance music. You’re all invited to ‘Visual.’
EG: Lastly, with the release of ‘Hyper Sleep’ on Aletheia Recordings, what can listeners expect from this track, and what’s next for you regarding new projects or collaborations?
Thaddeus X: It showcases the deep house sound that takes me on a journey with very positive energy. I want people to smile and feel happy while dancing. As for new projects, I can only say that I’m very excited about the number and quality of the new projects I have in the works. I think you’ll be able to notice an evolution in my music.
EG: Thank you for your time and insights, Thaddeus. All the best!
Thaddeus X: Thank you all!
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