Dutch producer Milio is stepping into a new phase. Known for his emotionally rich, genre-defying sound, he blends analog warmth with a forward-thinking approach to club music.
Photo credit: Milio – Instagram
After spending much of the past year in the studio, he’s back on stage with renewed energy. His recent album Invisible Islands, released via Atomnation in September, captures this evolution—expansive, textured, and rooted in instinct. Now, with new music and a remix EP on the horizon, Milio continues to push deeper into his own sonic universe.
A hardware-focused artist with a collaborative spirit, Milio has worked alongside Frank Wiedemann (Âme) and Nicola Cruz at the Willem Twee studios in Den Bosch. His live performances—seen at STOOR, Draaimolen Festival, Fusion, Wildeburg, Sisyphos, and more—bring a tactile energy that connects sound and space. He’s also co-founder of VIAVIA Records, a member of the A# collective, and previously one half of Tunnelvisions.
In this conversation, Milio opens up about his Flores debut, writing with classic synths, and the importance of staying true to your sound.
EG: Hi, Milio! Welcome to EG. It’s a pleasure to have you here with us. How have you been doing
Milio: I’ve been doing great! I recently had some really nice gigs, like STOOR during ADE and VIAVIA. Besides that, I’ve been spending a lot of time in the studio, which makes me super happy.
EG: First of all, congratulations on the release of your new EP, ‘Erosie / Matter of Time’. What are some of your first thoughts now that it’s out for everyone to hear? What has the initial reception been like so far?
Milio: Thanks a lot! I’m super proud that this release is finally out in the world. I’ve received some really nice feedback on these two tracks from amazing DJs like Sasha, Patrice Bäumel, and Mano Le Tough, among many others.
EG: What can fans of Milio expect to find on this one? Is there a concept or emotional trigger connecting these cuts?
Milio: I think the idea behind these tracks is simply to close your eyes on the dance floor. Both have this melancholic yet energetic vibe, perfect for when you just want to shut up and dance.
EG: There’s quite a blissful feel across the record. Can you walk us through your recording process for these particular tracks?
Milio: Both tracks came together quite quickly. I usually start from a live jam, and with these two, I found the perfect energetic foundation with the drums and bass — something that felt endless, like it could go on forever.
When I’m writing melodies, I often start on a Wurlitzer, just plucking around until I find a certain vibe. When I came up with the melody for ‘Erosie’, I immediately felt it could be something special for a dance track. After that, I programmed it into my SH-101 and did several full-length takes. Everything needed to breathe and move in the same way the lead does. The final version actually came from the second take, it just felt right. For ‘Matter of Time’, I wrote the chords on the Jupiter-8, which gave it that nostalgic ’90s feeling. After coming up with the piano hook, I knew this one was something special too.
“The idea behind these tracks is simply to close your eyes on the dance floor”
EG: By the way, ‘Erosie / Matter of Time’ also signals your Flores debut. Why did you decide to release it with Budakid’s Flores imprint? Was there a previous connection? What was the process like?
Milio: Kevin has been a close friend for a very long time. Back in the day, we shared a flat together in Tilburg — fun times! Our conversations were always about making music, and that hasn’t really changed, haha. Even now, we still share a lot of our new ideas and tracks with each other. When I sent him these two tracks, Kevin was super enthusiastic and immediately wanted to release them on Flores.
EG: As someone who understands both DJing and live performance, what does the future of music look like to you? Do you see visual means being incorporated more and more into performances? Are we in danger of the visuals overtaking the sound/music?
Milio: I don’t really care about how it looks. I have my own little musical world where I feel deeply connected, it gives me so much joy and freedom. If people want to make or perform music with AI, they should go for it. But personally, I can’t imagine how much sense of satisfaction you miss when you let a robot or computer do the job for you. I love working with my hands and ears, playing with gear, and feeling the sound in a physical way. At the end of the day, if you’re a producer, just make music in whatever way makes you happy.
EG: Given your experience, what would you say are some of the biggest obstacles artists will face in the near future? What advice would you give to newcomers and rising artists?
Milio: Make music every day, and don’t chase trends. Focus on creating the music you truly love and have as much fun with it as possible. That’s the only way to keep it real and to stay inspired in the long run.
“I love working with my hands and ears, playing with gear, and feeling the sound in a physical way”
EG: What’s next for Milio? What milestones are you looking forward to now? Where can your fans catch you next?
Milio: This summer, I’ll be touring with some fresh new live sets, and I’m also working on a new album. Excited to share more soon!
EG: Thank you so much for your time, Milio! We wish you all the best in the future. Take care!
Milio: Ciaoooo! Thanks so much, really appreciate it.
Milio’s ‘Erosie / Matter of Time’ is out now on Flores. Stream and download here.
Follow Milio: Spotify | Soundcloud | Instagram
