Originally from Buenos Aires, Patrick M has long been a staple of the Miami scene, known for his genre-blending sets, signature productions, and enduring global appeal.
Photo credit: Patrick M – Official
With a career spanning decades, he’s remained a trusted figure in the underground through instinct, craft, and charisma. Now, with the release of ‘Le Pop’ on Stereo Productions, he reconnects with a label that helped shape his early journey — but brings a new energy to the table.
Built across late-night studio sessions, Le Pop offers a punchy, groove-heavy experience that ties together tech-house foundations and a modern, club-focused attitude. The B-side, ‘Premonitions’, leans into warmer, hypnotic territory — hinting at a deeper evolution in Patrick’s sonic identity.
In this conversation, Patrick M opens up about his creative process, the role of Miami in his music, and how letting go of perfection has kept him inspired.
EG: Patrick, welcome back to Electronic Groove! Where in the world are you today, and what’s the vibe as Le Pop lands on Stereo Productions?
Patrick M: Right now I’m in Miami. Summer’s in full swing, and it feels like the perfect backdrop for the release of ‘Le Pop’ EP on Stereo Productions. I’ve been road testing these tracks for a while and seeing them finally land on such an iconic label is a proud moment. The vibe? Sunny, sweaty, and ready to dance.
EG: Le Pop feels like a bridge between your early tech-house roots and a fresh, punchy attitude. What sparked the first idea for the EP?
Patrick M: The first spark for Le Pop came during a late-night session where I was messing around with some old-school drum grooves I had sitting in my folder. I wanted to create something that nods to my early tech-house roots but with a bit more bite — something playful, confident, and built for the dancefloor. The idea was to keep it groovy but give it that modern, punchy edge that makes people look up and move. It’s a blend of past and present, really — my evolution as a producer.
EG: You’ve been part of Stereo’s story since the beginning. How has your creative dynamic with the label evolved from those early releases to this new two-tracker?
Patrick M: It’s been an amazing journey with Stereo — I’ve seen the label evolve, and I’ve evolved right alongside it. From those early releases where everything felt raw and instinctive, to now where there’s more intention and maturity in the sound, it’s been a full-circle kind of experience. The creative dynamic has grown into something really fluid — there’s trust, respect, and space to experiment. With this new two-tracker, I felt free to push things a little — bring in that punchy, fun energy while still keeping it true to the Stereo groove. It’s a deeper connection now, both personally and musically.
EG: The title cut is all cheeky synth shots and a rolling low end. Can you break down one studio trick — or happy accident — that gave ‘Le Pop’ its snap?
Patrick M: One of the key moments in making ‘Le Pop’ was actually a happy accident. I was layering a few synth stabs and accidentally left one of them routed through a delay with a super short feedback — it created this weird, snappy slap that instantly gave the track some attitude. I ended up shaping the whole groove around that little mistake. Also, I sidechained the synth shots not just to the kick, but lightly to the hi-hats too — just enough to give it that bounce and push-pull feel. It added this cheeky swagger that felt just right for the track.
“No distractions, no overthinking. Just pure instinct”
EG: On the flip side, ‘Premonitions’ dives into warmer, deeper territory. What mood or reference point guided you while building those pads and chords?
Patrick M: With ‘Premonitions’, I wanted to tap into something more emotional and hypnotic — almost like that feeling you get during the early hours of the morning when the energy shifts on the dancefloor. I was inspired by classic deep house records but also had this cinematic mood in mind, like the calm after the storm. The pads came from layering a couple of analog emulations with some subtle noise textures underneath to give it warmth and movement. It’s meant to feel like a deep breath — smooth, soulful, but still grounded in groove.
EG: Both tracks were born from late-night sessions. Paint us a picture: what does your studio look and feel like at 3 a.m. when the best ideas strike?
Patrick M: At 3 a.m., my studio’s got this moody, intimate vibe — low lighting, maybe a lava lamp glowing in the corner, monitors humming, and just me locked in with the groove. It’s quiet outside, which makes everything inside feel more intense and focused. That’s usually when the best ideas hit — no distractions, no overthinking. Just pure instinct. I’ve got a few analog toys around, some coffee that’s probably gone cold, and a folder full of random samples waiting to be flipped. It’s that sweet spot where creativity takes over.
EG: Miami has been your playground for years. How does the city’s club energy still seep into your production choices today?
Patrick M: Miami’s energy is in my DNA at this point. The city’s got this wild mix of cultures, rhythms, and late-night chaos that constantly feeds into how I approach music. Whether I’m in the studio or on the dancefloor, that raw club energy is always in the back of my mind — it pushes me to keep the grooves tight, the drops spicy, and the basslines bold. You can’t make sleepy tracks in this city — Miami demands movement, and I try to capture that every time I sit down to produce.
EG: Longevity isn’t easy in dance music. What’s one change you’ve made to your workflow or mindset that keeps your sound moving forward?
Patrick M: I’ve learned to let go of perfection and trust the process more. In the past, I’d overthink every detail, chasing this “perfect” sound — but that can kill the vibe. Now I focus more on feeling and momentum. If an idea hits and it grooves, I run with it. Also, I’ve made it a habit to stay curious — digging into new plugins, revisiting old gear, or just switching up my workflow keeps things fresh. Longevity comes from adapting without losing your identity, and I try to stay rooted while always exploring.
“You can’t make sleepy tracks in this city — Miami demands movement”
EG: Tech is always shifting — new plug-ins, new hardware. Which piece of gear (old or new) was indispensable while shaping Le Pop?
Patrick M: For Le Pop, the MVP was definitely my Elektron Analog Heat. I ran a lot of the drum and synth buses through it to give them that gritty, saturated edge — it brought everything to life. It’s one of those pieces that just adds character without overcomplicating things. I also leaned on some trusted plug-ins like FabFilter Saturn and a few Arturia synths, but the Analog Heat was the secret sauce. It gave the tracks that extra punch and warmth that makes them hit just right in a club.
EG: Away from the decks, what everyday habit or hobby quietly fuels your creativity before you step back into the studio?
Patrick M: Honestly, walking, boxing — just stepping away from the screens, putting on some headphones, and getting lost in random neighborhoods or nature. It clears my head and gives me space to think without trying too hard. I get a lot of ideas when I’m not even trying to be creative. Also, I’ve gotten into cooking lately — it’s surprisingly similar to producing: mixing ingredients, trusting your instincts, and hoping it all comes out tasty.
EG: Looking ahead, should we expect more studio releases, a live concept, or something completely off our radar?
Patrick M: Definitely more studio releases — I’ve got a few collabs and solo projects lined up that I’m really excited about. I’m also toying with the idea of a more hybrid live/DJ setup down the line, something that brings the studio energy onto the stage in a more personal way. But I’m also leaving space for the unexpected — sometimes the best moves are the ones that aren’t on the radar yet. I’m just staying open, inspired, and ready to keep evolving.
EG: Last one — after a long night behind the booth, where in Miami would you take us for the perfect wind-down meal, and what are we ordering?
Patrick M: After a long night behind the decks, we’re hitting up La Sandwicherie in South Beach — it’s a classic. Open late, always hits the spot. I’m going straight for the turkey sandwich with everything, extra cornichons, and that legendary vinaigrette. If it’s more of a sunrise vibe, maybe we slide into Enriqueta’s for a Cuban breakfast and some strong cafecito to bring us back to life. Either way, good food, good company, and stories from the night before.
Patrick M’s ‘Le Pop’ is out now on Stereo Productions. Stream and download here.
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