Manchester-based artist Prudance has swiftly made a name for himself in the melodic and progressive house scene.
Photo credit: Prudance – Official
His self-released debut ‘Aurora Rhythm’ earned BBC Introducing support in 2024, while his first EP ‘Tundra / Io Horizon’, released on 10 Steps North in April 2025, broke into the Beatport Progressive House Top 100.
Now signed to Glenn Morrison’s Fall From Grace Records, Prudance is set to release his latest EP ‘Lost Moments’, featuring a standout remix by acclaimed French producer Hansgod.
In this conversation, Prudance opens up about his creative journey, working with Glenn Morrison, and the inspirations behind his evolving sound.
EG: Hi Prudance. Welcome to EG and congratulations on signing with Fall From Grace for your new ‘Lost Moments’ EP! What drew you to Glenn Morrison’s label, and how did those first conversations shape the project
Prudance: Thank you, it really means a lot. I’ve been lucky to work with Glenn for a while now and have huge respect for him not just as an artist, but for his knowledge in the industry. His label has such a strong roster, with names like David Morales, John Monkman, Camlephat, Darren Emerson, Frank Sonic, Ewan Pearson, and Dave Seaman to name a few.
Being a part of that is surreal and something I’m really grateful for. I sent him the record at the end of last year and he played it a few times in his studio, said he liked it, and things just took off from there. He’s been super supportive from the start, which really helped shape the project.
EG: The title track feels both intimate and dance‑floor ready. What personal story or idea sparked it?
Prudance: It’s an instrumental, but I wanted to make something that kind of had a bit of depth and emotional weight, something that people could connect with, even without words. I’ve always loved those moments when a track just catches you off guard, whether you’re in a crowd or listening alone and really pulls you in. Attempted to tap into that feeling, layering melodic elements. Hopefully it comes across that way to whoever’s listening.
EG: Glenn is known for hands‑on guidance. Can you share one piece of feedback from him that pushed a track from “good” to “release‑ready”?
Prudance: Yes, we went back and forth on a couple of versions, one was a bit more stripped-back, and the other had more low-end punch. Glenn helped steer it towards a version that felt more balanced but still had energy. I’m always up for learning and improving, so having that kind of feedback was great.
EG: Hansgod delivers a distinct French twist on his remix. How did the collaboration come about, and what surprised you when you first heard his take?
Prudance: Glenn reached out and said it might be cool to get someone to remix the original, just to give the release a bit more edge. I didn’t expect anyone to remix my stuff at this point, so when he mentioned Hansgod, I jumped at the opportunity as he’s super well respected, with support from the likes of Laurent Garnier and Nick Warren. I loved how he used the stems but gave it his own version, and it’s got a completely different vibe, but it really works. Buzzing with how it turned out, he smashed it.
“I’ve always loved those moments when a track just catches you off guard, whether you’re in a crowd or listening alone and really pulls you in”
EG: Rewind to your DIY debut: self‑releasing ‘Aurora Rhythm’ won BBC Introducing support. What did that experience teach you about momentum in today’s scene?
Prudance: About six years ago, I was sending out demos, but wasn’t really getting much feedback, which I get. I went back to the drawing board and decided to self-release, and sent ‘Aurora Rhythm’ to the BBC, introducing it at the time, and they played it last year. That was a big moment. Some recognition which gave me a boost to keep going, and back myself a bit more, stay patient, and try to keep building.
EG: Walk us through your workflow, from the first melodic spark to the moment you decide a track is done.
Prudance: Most of the time, I start with a simple melodic idea or motif, then build the groove with kick and bass. Once it feels right, I layer melodies, textures, and whatever the track feels like it needs. I use a mix of analog and digital. Arturia synths, plugins like Serum, Omnisphere, Diva, and some UAD processing for extra colour. Everyone works differently, but I just keep tweaking until it feels balanced. Usually you know when it’s done, or at least when it’s time to stop tweaking.
EG: Manchester’s club history looms large, yet your music tells a more melodic story. How does the city influence, or challenge, your creative direction?
Prudance: Manchester’s had a big influence on me. The city always had a strong scene, and more recently, with events like Melotechevents, Progmatic, and the Balearic Garden, and venues like WHP, Joshua Brooks, have been pushing progressive and melodic sounds even further. Been lucky to catch artists like Cristoph, Franky Wah, Quiverr, and Anthony Pappa at those nights, and the inspiration gained from these sets feeds into what I’m trying to do.
That interest in the sound started to grab me while I was living in Sheffield, and I’d travel between the cities for gigs. I remember hearing sets from the likes of Dusky and Scuba, with tracks like ‘Adrenaline’ and ‘Lost Highway’ that had a melodic edge, which really stuck with me. The biggest turning point was seeing Eric Prydz at Global Gathering in 2011, then again at WHP in Manchester (Store Street) not long after. Hearing tunes like ‘Melo’, ‘Balaton’, and ‘Frankfurt’ in those environments was a proper moment. Left a mark on how I attempt to approach my own productions.
EG: With Melotech dates on the horizon, what should dancers expect from a Prudance DJ set that they might not get from the studio versions?
Prudance: Really excited for these. Great group of people running the event (check them out). I’ve got some unreleased tracks I’m keen to test out, plus a few personal edits to give things a different feel. It’ll be a mix of my own stuff and tracks that suit the vibe. More dynamic and tailored for the dancefloor.
“I’m always up for learning and improving”
EG: Rapid recognition can trigger self‑doubt. Have you felt imposter syndrome, and how do you keep your creative confidence intact?
Prudance: Yeah, definitely. I wasn’t expecting to be releasing on a label like this, early on, there’s been a bit of that. But I try to stay grounded and keep it fun when producing. When I’m enjoying the process, that’s usually when I’m at my most creative. I think focusing on that helps keep the self-doubt in check.
EG: Outside of music, what activities keep your inspiration tank full?
Prudance: Big Man United fan (unfortunately, these days…laughter). I’m also really into hiking and long walks, fitness, a good way to switch off and reset a bit. And I love cooking, just getting stuck into making something decent in the kitchen helps clear my head and sometimes sparks new ideas.
EG: To close, what do you hope listeners feel when they press play on ‘Lost Moments’, and any words of thanks for the early supporters?
Prudance: I just hope people enjoy it and connect with it in their own way. It went in a slightly different direction, but that’s all part of the process. I really appreciate anyone who’s taken the time to listen or support so far, it really means a lot. And a big thanks to Hansgod for the remix, he’s done a great job. I can’t wait for people to hear the full EP.
Prudance’s ‘Lost Moments’ is out now on Fall From Grace Records. Stream and download here.
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