Since stepping into the underground electronic music scene in 2011, Smitech Wesson has carved out a distinctive path through techno, electro, and industrial terrain.
Photo credit: Smitech Wesson – Official
With releases on labels like Dancing Dead, Space Factory, and Boxon Records, and standout tracks such as ‘Scream’, ‘Demons’, and ‘Rewind’, his sound has found resonance with major names including Steve Aoki, The Hacker, and Digitalism.
A familiar name in Beatport’s Top 100 and a consistent presence on club playlists, Wesson continues to evolve while staying true to his gritty roots.
His latest offering, the ‘Whisper’ EP on Styx Records (Naeleck’s label), reveals a deeper emotional layer, balancing raw techno force with sonic vulnerability. In this interview, Wesson shares insights on his creative process, his love for visual storytelling, and the balancing act between harshness and fragility.
From recording an emotionally charged mix for EG’s Spotlight series to collaborating remotely with vocalist Teresa Meads, his commitment to authenticity shines through.
EG: Hi, Smitech! Welcome to EG. It’s a pleasure to have you here with us. How have you been? Where are you right now?
Smitech Wesson: Hey, thanks for having me. I’ve been feeling good lately—focused and productive. I’m based in İstanbul at the moment, spending most of my time in the studio. The city is chaotic in a good way, full of inspiration at every corner.
EG: So, first of all, thank you for your contribution to our EG Spotlight mix series. Tell us, what can your followers and fans of the series expect to find on this one? How do you usually go about crafting a podcast mix?
Smitech Wesson: I mostly played my own tracks in this mix. I also added a few Turkish elements to bring that deeper cultural feel. It starts slow and gradually builds into a faster, heavier techno structure. I was in a very emotional space while recording it, and I think that comes through. The feedback so far has been really positive.
EG: Now, congratulations on the release of your Whisper EP on Styx Records! You must be very excited to have this one out. How do you feel now that it’s been out for a few days? What has the initial reception been like so far?
Smitech Wesson: Thank you. ‘Whisper’ is a special project for me. It’s full of inner tension—suppressed emotion that still manages to come through. These tracks have been with me for a long time, and now that they’re out, I feel a sense of release. People are really connecting with it—some are reaching out, DJs are playing it in their sets. That tells me I did something right.
EG: So, what can your fans come to find on Whisper? Is there a concept or emotion driving this EP?
Smitech Wesson: At the core of it, there’s this constant tension. It feels like something’s about to explode, but it never quite does. There’s harshness, but also fragility. I tried to keep melody and distortion on the same level. It’s both electronic and emotional.
“Everyone’s chasing the algorithm, but algorithms don’t see soul. For me, it’s about building something sustainable and real”
EG: By the way, the record sees you collaborating with Teresa Meads. What was that process like?
Smitech Wesson: Teresa is a very subtle vocalist. We worked remotely but clicked right away. There wasn’t much explaining to do—she caught the vibe instantly. Her voice doesn’t get lost in the track; instead, the track wraps around her. That presence added a lot to the soul of the EP.
EG: Speaking of collaborations, not too long ago, you also shared a music video for your track with Ils Ils, ‘Madafaka.’ What was it like to come up and shoot that video? How did the concept come about? Will we see any more videos in the near future?
Smitech Wesson: ‘Madafaka’ was a real burst of energy. The video followed the same spirit—impulsive, unplanned, but full of tension. We shot it guerrilla-style with zero budget, just went out and captured the chaos. Everything was instinctive. We wanted the video to feel just as raw as the track—and I think we nailed it. And yes, more videos are definitely on the way. Visual storytelling is part of the process now.
EG: Getting to know the person behind the artist…are there any hobbies or passion projects other than the music driving you these days?
Smitech Wesson: My design brain is always active. I sketch visual ideas, dive into old books on graphic design and industrial arts. It’s not about escaping music—it’s about feeding it from different angles. That keeps me sharp.
EG: Now, on to the state of the scene…What do you see as the biggest challenge for the music industry in the next few years, and how do you think artists can adapt?
Smitech Wesson: Visibility is the biggest challenge. Everyone’s chasing the algorithm, but algorithms don’t see soul. For me, it’s about building something sustainable and real. Creating community, physical output, face-to-face interaction. That’s where the future is.
“My design brain is always active. I sketch visual ideas, dive into old books on graphic design and industrial arts”
EG: Looking forward, what can we expect from Smitech Wesson in the coming months? Where can your fans catch you next?
Smitech Wesson: I’ll be focusing more on techno-driven work in this period. I don’t have many shows lined up right now because I’ve fully locked into the studio. I’m chasing new sounds and new ways of expression. Honestly, I’m curious myself to see what comes out next.
EG: Thank you so much for your time, Smitech! We wish you all the best for the future. Take care!
Smitech Wesson: Thank you! Much love to everyone listening and supporting.
Smitech Wesson’s ‘Whisper’ is out now on Styx Records. Stream and download here.
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