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TJ Lawton: “You can’t just have a good track anymore; you need a story, a sound, a brand”

UK-based artist TJ Lawton has steadily carved out a name for himself with a style rooted in deep, dark, and mysterious house and techno.

Photo credit: TJ Lawton – Facebook

Known for moody, hypnotic productions that resonate across club floors and digital platforms alike, his sound is drawing support from major names and listeners worldwide.

Now, with the release of his new single ‘Ecliptica’ on Enormous Vision, Lawton steps into a new chapter — one marked by melodic power and emotional precision. As he continues to refine his approach, his journey traces back to underground roots, unexpected influences, and a gradual evolution from leftfield experimentation to peak-time melodic techno.

In this conversation, TJ Lawton opens up about growth, doubt, inspiration, and what’s coming next.

EG: Hi, TJ! Welcome to EG. It’s a pleasure to have you here with us. How have you been lately?

TJ Lawton: Hey! Appreciate you having me on. Things have been hectic but good—just released a new track, wrapped a few more, and trying to stay in the creative zone while juggling the usual madness that comes with it.

EG: First of all, congratulations on the release of your brand new single, ‘Ecliptica’! You must be stoked to have this one out. What has the initial reception been like so far?

TJ Lawton: Thanks a lot! Yeah, I’ve been buzzing about this one. It’s my debut on Enormous Vision, so it felt like a bit of a level-up moment. The response has been mad—lots of DJ support already and loads of people messaging me saying it’s stuck in their heads. Can’t really ask for more.

EG: So, what can your fans expect to find on ‘Ecliptica’? Is there a concept or sound you’re pushing here?

TJ Lawton: It’s definitely a peak-time melodic techno track—dark, rolling energy but with this playful, euphoric edge to it. I wanted to hit that balance between something that works in the club and something that sticks emotionally too. That tension-and-release feeling, like you’re building toward something epic the whole way through.

EG: With such an extensive discography, are you making the music you thought you’d be making when you first started? How has your sound shifted since your earlier releases?

TJ Lawton: Honestly? Not at all. I used to make a lot of dark disco and indie dance—kind of weird, tribal, leftfield stuff. I’ve since gravitated more towards a melodic sound that feels a bit more refined and club-ready. But I’m still drawn to those older influences, and I’ve got plans to merge the two worlds a bit more in future releases.

“The hardest part? Definitely the self-doubt”

EG: Now, taking this one to your origins…Do you remember your first interactions with electronic dance music? What was it about it that got you hooked?

TJ Lawton: Yeah, I remember it clearly. Back when I was at university in Staffordshire, I somehow got invited to this underground, invite-only rave called ‘WoNk’. It ran bi-monthly and was hosted by two old-school Hacienda DJs. It was tucked away, super lowkey, but the music and energy were unreal. Honestly, it was the best introduction to dance music and DJing I could’ve asked for—it completely pulled me in.

EG: And when did you start DJing and producing? What was that process like for you?

TJ Lawton: Funnily enough, I got into music and DJing pretty late. It was around the time I started going to WoNk and met a bunch of producers who really knew their stuff. They showed me the ropes, shared what they knew, and that’s what pulled me in. I didn’t even have decks or a DAW before that—it all came from just being around the right people and getting obsessed with the craft.

EG: What has been your favorite part of the journey so far? And the hardest?

TJ Lawton: Favourite part has to be hearing my music played out by artists I admire. When Pretty Pink or Township Rebellion plays one of my tracks, it hits different. The hardest part? Definitely the self-doubt. You spend days or weeks on a track, unsure if it’s even good, and that little voice creeps in saying, “Maybe you’ve lost it.” Learning to quiet that has been a process.

EG: Now, stepping outside of the studio…Given your experience, what are some of the biggest challenges artists will face in the near future?

TJ Lawton: Standing out, 100%. There’s so much music dropping every day—it’s a tidal wave. You can’t just have a good track anymore; you need a story, a sound, a brand. And you’ve got to wear ten hats—producer, marketer, content creator. It’s exciting, but also a bit of a headspin if you don’t have a clear direction.

“The goal now is to build momentum and get my sound in front of as many people as possible”

EG: What’s next for TJ Lawton? What milestones are you looking forward to now? Where can your fans catch you next? Any tours planned?

TJ Lawton: More releases are on the way, including some I’m really proud of. I’ve got a remix dropping soon that’s already getting some solid traction, and I’m working on locking in a few more UK and EU shows. The goal now is to build momentum and get my sound in front of as many people as possible.

EG: Thank you so much for your time, TJ! We wish you all the best in the future. Take care!

TJ Lawton: Thank you! Appreciate the chat—it’s always nice to reflect for a second. Catch you on the dancefloor.

TJ Lawton’s ‘Ecliptica’ is out now on Enormous Vision. Stream and download here.

Follow TJ Lawton: Spotify | Soundcloud | Instagram

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