For Whilly Bermudez, music begins with writing. Long before stepping into production, he was crafting poetry and lyrics as a way to capture emotion and translate ideas into words. That instinct has remained central to his creative identity, shaping a body of work where storytelling sits at the core of every track.
Photo credit: Whilly Bermudez – Official
After years immersed in Miami’s nightlife during his time as a nightclub promoter, Bermudez developed a close connection with electronic music and its emotional architecture. Today, his productions blend melodic EDM with reflective themes, drawing from personal experience, faith, and a songwriter’s perspective.
In this conversation, Whilly Bermudez reflects on his path into electronic music, the role of songwriting in his workflow, and how technology, visual storytelling, and intention continue to shape his evolving creative process.
EG: Hi, Whilly! Welcome to EG. It’s a pleasure to have you here with us. How have you been doing?
Whilly Bermudez: The pleasure is mine, thank you! I’ve been following you guys!
EG: Let’s kick this one off by diving into your origins…How and when did you first connect with electronic dance music? What was it about it that got you hooked?
Whilly Bermudez: I really connected with electronic music during my years as a nightclub promoter in Miami, which ran from about 1998 to 2008. Being in the middle of that scene put me right up against techno, house, and trance at a time when those sounds were evolving fast and hitting clubs with real intensity. Miami was a melting pot, and I was lucky to experience that energy firsthand, night after night.
What hooked me was the structure and emotion behind it all. The way tracks build tension, release it in a drop, then take you on another journey, felt different from anything else. Artists like Carl Cox, Aphex Twin, Frankie Knuckles, Paul Oakenfold, Paul van Dyk, and Tiësto all played a role in shaping my ear. It wasn’t just about dancing; it was about the atmosphere, the movement, and how those elements could completely take over a room.
EG: And when did you start to produce your own music? What was that learning process like for you?
Whilly Bermudez: I actually started writing music way back in junior high, mostly rap, hip hop, and freestyle. Writing has always been part of how I process ideas. Over the years, if a melody or lyric popped into my head, I’d jot it down in my phone and move on, without really thinking of it as anything more than a creative outlet.
Toward the end of 2024, I made a conscious decision to take it seriously and push it beyond a hobby. That’s when I began collaborating with vocalists, experimenting with different tools, and naturally stepping into a producer role. My process is very idea-driven. I focus on capturing something unique, thinking outside the box, and translating what I hear in my head into sound. A lot of it has been trial and error, but once the track starts matching that original feeling, I know it’s something others will connect with, too.
EG: How would you describe your music at this point? What are some of the emotions and concepts that tend to inspire or drive your creations?
Whilly Bermudez: At this point, my music lives in a melodic EDM space, but with different emotional lanes depending on the project. My album ‘FLYING WITHOUT GRAVITY’ leans more commercial and melodic, inspired by artists like Avicii. Those tracks focus heavily on strong vocals, uplifting melodies, and that feeling of elevation and freedom.
On the other end of the spectrum, ‘OPERA BRUTAL’ is more aggressive and festival-driven. It’s less about radio appeal and more about impact. Hard-hitting vocals, powerful drops, and elements that build tension and make you feel the music physically. That project also experiments with language, blending English, Spanish, and even old-world Latin, and layering in operatic textures to heighten the atmosphere.
Faith is also a core part of who I am creatively. I’m a Christian, and every album includes at least one track dedicated to the Lord, along with several standalone singles. Because of that, my music stays clean, intentional, and heartfelt. I want listeners to feel inspired, energized, and comfortable knowing the music comes from a place of purpose, not darkness or shock value.
“My creativity doesn’t really have boundaries, and I enjoy letting ideas lead rather than boxing myself into a single sound”
EG: You tend to approach your productions as a songwriter first, producer second. Where does this approach come from?
Whilly Bermudez: That approach comes naturally to me because I hear music as words and concepts first. A lot of the time, it starts with a chorus, and almost immediately, the title reveals itself inside that chorus. Once that happens, I’m grabbing my phone and writing everything down in my notes before the idea disappears.
From there, I let the concept breathe before I ever touch the production. I think through the emotion, the message, and the overall direction, then I start building the music and arrangement around that core idea. It’s a process of creating, stripping things away, and rebuilding until it feels right. I’ll keep refining until the track genuinely makes me smile and I catch myself nodding my head. That’s when I know it’s working.
EG: A lot of your music seems to be tied to visual storytelling and different AI-created personas. How do visual elements enhance the message behind your craft?
Whilly Bermudez: There’s no fluff in what I create. Whether it’s the music or the visuals, everything is intentional. I want people to feel something real. Latin artists have often described powerful performances as almost a “religious experience,” and I connect with that idea. Not in a theatrical sense, but in the sense that the emotion has to move you.
The visual side naturally became an extension of that. I started using AI to create short cinematic experiences that match the meaning of the songs. It wasn’t about trends; it was about translating the emotion into something you can see as well as hear. Over time, that visual layer became part of my signature.
EG: What would you like to accomplish as an artist this year?
Whilly Bermudez: Creatively, I’ve never limited myself to one lane. I’ve already produced multiple albums across different genres, and that freedom is something I plan to keep pushing. My creativity doesn’t really have boundaries, and I enjoy letting ideas lead rather than boxing myself into a single sound.
That said, this year I’d love to make something tangible happen through collaboration. Working with established DJs and producers is a real goal, both creatively and strategically. I’m also stepping into DJing as the next phase of that journey, focused exclusively on EDM and presenting my music in a live setting.
EG: In your view, how would you describe the state of EDM at the moment?
Whilly Bermudez: EDM is in a strong place right now. It’s grown massively, which is why you see such a wide spectrum, from tracks that lean heavily into dance pop to artists who stay firmly rooted in the underground. Both sides matter.
The challenge moving forward is navigating growth without losing identity. With so much content and so many tools available, it’s easy for artists to get lost in trends. Staying authentic while adapting to new technology is going to be key.
“I want listeners to feel inspired, energized, and comfortable knowing the music comes from a place of purpose”
EG: What’s next for Whilly Bermudez?
Whilly Bermudez: What’s next for me is continued exploration. I’m focused on pushing EDM forward by experimenting with different languages, textures, and elements while keeping the music emotionally driven. I want to build a catalog that DJs naturally reach for and that audiences recognize the moment it comes on.
EG: Thank you so much for your time, Whilly! We wish you all the best in the future.
Whilly Bermudez: Thank you so much for having me and for keeping Electronic Dance Music hitting in all the right places! Thank you!
Whilly Bermudez’s ‘FLYING WITHOUT GRAVITY’ is out now. Stream it here.
Follow Whilly Bermudez: Spotify | Soundcloud | Instagram
