Laura Korinth is a Gold-awarded independent artist whose work blends mythology, lived history, and forward-facing electronic production. Born into a high-control religious community and now based in Berlin, she creates music that draws from ancestral memory and personal transformation, building sonic worlds shaped as much by rebellion as by reflection.
Photo credit: Laura Korinth – Official
Long before releasing music, Korinth was writing privately to understand her inner world. That creative voice remained unseen until her contribution to Boris Brejcha’s ‘Gravity’ brought her into public view. The track, later certified Gold, marked the moment where years of internal imagery and language found their first audible form. From there, she began to shape a practice that merges vocals, writing, and production into a cohesive artistic narrative.
Her studio work is anchored by the DeepMind 12D and Prophet 08 she inherited from her uncle, a member of the electronic group Sounders Department. She describes these instruments as “inherited voices,” a link between personal history and creative direction. Her process is constellation-like: collecting texts, melodies, and sound fragments until they begin to connect. Once they align, she says, the track “begins to breathe.”
Korinth’s path includes academic research on discrimination against women in the music industry and written work held in public international archives. These milestones offered her continuity more than recognition, solidifying her sense of direction without shifting her focus from creation. They also strengthened her ability to navigate the music world with clarity, grounding her instincts rather than amplifying external noise.
Her conceptual cycle Between the Worlds traces the tension between the restrictive environment she grew up in and the freedom she discovered in underground culture. The term “The World,” used in her former community to define everything outside its boundaries, became a starting point for exploring duality. Early nights in Berlin clubs, before she lived there, shaped her understanding of sound as a space where conflicting realities could coexist. That in-between state became the foundation of her artistic identity.
Mythology and heritage play a central role in her storytelling. Her family name led her to the history of ancient Corinth and its themes of resilience and renewal, while the figure of Gaia became an anchor during the years when she rebuilt her life from the ground up. The Arawak lineage on her mother’s side connects her to a culture and language at risk of disappearing. Integrating Lokono Arawak words into her work is, for her, a matter of responsibility rather than aesthetics. Identity, she says, is not linear but a constellation — a structure where contrasting influences can coexist without being merged into one narrative.
“Identity is not linear. It is a constellation”
Berlin provided the anonymity and openness she needed to develop independently. That sense of creative space remains essential to her process, allowing her to shape music that reflects honest internal landscapes rather than external expectations. She hopes listeners entering her world feel its authenticity — something built from experience, work, and imagination rather than branding.
Looking ahead, Korinth wants to refine the way she finishes music, balancing her detailed synth work, complex beats, and lyrical density with a more fluid completion process. The dialogue between technology and emotional depth remains central. She intends to explore that intersection further, letting mythology, memory, and digital structure reflect each other as her universe continues to evolve.
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